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| The Journals of Mihail Sebastian |
The Good thief |
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| PRESS CLIPPINGS |
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| This just might be the most elaborate production ever given to a solo show. Since the play is comprised of hundreds of short journal entries, every entry is given its own pool of light and a sound cue. This undoubtedly sounds like a terrible idea on paper, but the execution by lighting designer Josh Bradford and sound designer Stefan Jacobs is absolutely seamless. -Ron Lasko, Broadway.com Journals of Mihail Sebastian, Keen Company Josh Bradford’s lighting is a perfect complement: functional, yet also silently omniscient. -Stan Richardson, nytheater.com Journals of Mihail Sebastian, Keen Company The performance exactly matches the understatement, indirection and contained tenseness of Mr. McPherson’s prose, qualities further echoed in Josh Bradford’s day-into-night lighting… - Ben Brantley, The New York Times The Good Thief, Quintero Theater ..aided in his work by a nuanced lighting designer, Josh Bradford, who navigates the story's moods with an inspired sureness.. - Pamela Renner, Variety.Com The Good Thief, 45 Bleecker Street, New York City Josh Bradford's colorfully murky lighting design ... for DiMurro's world adds immeasurably to the intrigue and menace found in Waiting for My Man. -American Theater Web Waiting for my Man, CAP21 On the stage, though – especially Off Off Broadway, where space is limited and effects are restricted by low budgets – you wouldn’t ordinarily see this kind of eerie emptiness credibly exploited…lighting that is both simple and evocative…the plays designers have all done sharp, ingenious work. - Bruce Weber, The New York Times Signals of Distress, for the Flying Machine, Soho Rep Josh Bradford lights the stage as if it were the kind of objet d’art Marguerite might have on her night table… - Lloyd Ross, The Washington Post Camille, The Olney Theater, Maryland Lighting by Josh Bradford is dreamy and darkly atmospheric up high, cruelly bright up close, enhancing Pomerance’s dark tale. - Lee Winston, The Open Circle The Elephant Man, Theater at St. Clement’s Josh Bradford’s lighting heightens the play’s inherent warmth. - Howard Kissel, Daily News The Voice of the Turtle, Mint Theater Josh Bradford’s lighting design is extraordinary. It literally illuminates key moments within the play and communicates the impact of the words being spoken on stage. - Tracy Lyon, TalkinBroadway.com Candida, The Olney Theater, Marlyland |
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| JOSH BRADFORD LIGHTING DESIGNER |